Film Language Tag: tinting
A process used to add color to black-and-white film.
Generally, one or more tints (colored dyes) were added to each frame by hand (as with the original release prints of 1903's The Great Train Robbery) or to entire sections by automated stencil machines (as with the original Pathécolor process). A second form of tinting added a single color to an entire image by using a pre-tinted film base, processing the finished film print through a chemical bath, or hand painting an entire section of film with a colored dye. In either case, the tinting process had its greatest effect in the lighter areas of an image since the metallic silver that made up the image remained black. As with most early color processes, tinting was often reserved for specific sections within a film and less often applied to the entire film. The last fully-tinted film released was Portrait of Jennie (1948).
Freder (Gustav Frohlich), son of the city master, watches as Maria (Brigitte Helm) brings a group of workers' children into the Eternal Gardens of Pleasure.
Rotwang (Rudolf Klein-Rogge) presents the false Maria (Brigitte Helm) as Freder (Gustav Frohlich) is delirious and suffering from hallucinations.
Freder (Gustav Frohlich) finds the false Maria (Brigitte Helm) urging the workers to destroy the Heart Machine.
Ellen Hutter (Greta Schroder) invites the Count (Max Schreck) into her room, in an attempt to defeat him. Hutter (Gustav von Wangenheim) goes to fetch the physician (John Gottowt) and the imprisoned Knock (Alexander Granach)attempts to warn Orlok. Orlok drinks Ellen's blood but is caught in the morning sunlight and vanishes.
The robot version of Maria (Brigitte Helm) successfully influences the workers to destroy the Heart Machine againt foreman Grot’s (Heinrich George) warnings.